【SixTONES Stargaze】歌声分析したら物凄いことがわかりました！

【SixTONES Stargaze】歌声分析したら物凄いことがわかりました！

This is Tsuru3, a voice trainer. How are you all doing? In this video , I would like to listen to the Stones’ “Stargaze” and analyze their singing voices . Tool’s Vocal Room. Well, well, this time, the audio of the 16th single Stargaze, which will be released on September 10, 2025, has been released on the Stones’ official YouTube channel, and I thought I would like to analyze the singing voices, so I’m turning the camera this time. And Stargaze, which I will be analyzing the singing voices this time, is a song composed by Noda of Rad Imps, and is a support song for the High School Quiz 2025 on Nippon Television. It’s a very luxurious song, so I was looking forward to analyzing the singing voices this time , and it was full of great charm. Of course, the expressiveness and singing voices of each individual are wonderful , but what impressed me most this time was the Stones’ group expression. I think this was really shining . We analyze the singing voices more carefully and in detail than anywhere else, so please stay with us until the end of the video. And there is a playlist of Stones vocal analysis videos that have been released so far in Tsuru3’s Vocal Room . If you watched this Stargaze vocal analysis video and want to see other Stones vocal analysis videos , I will post the URL of the playlist I mentioned earlier in the description, so please click on it and check out the other videos . Tsuru’s Vocal Room. This channel mainly publishes reaction videos and vocal analysis videos that convey the charm of artists that I, Tsu, am currently interested in from the perspective of a voice trainer . If you are interested in what I have said so far, please subscribe to the channel and give it a high rating. Let’s start with the Stones Stargaze vocal analysis. How far have we got? What can we do? The previous one. Wow, it’s amazing. I think that the higher notes here are probably Kyo and the lower notes are Zessy, but the octave that is called unison in octave is the relationship between the lower and upper notes of Dol Mi Fa So La Si Do. This is called an octave, and unison is when two or more singers sing the same melody. Although they are singing different notes, such as high and low notes, when the melody is played on the piano, it becomes the same warmth. This is also unison. The unison phrase in the octave has a very transparent, sparkling atmosphere, and it really gives off the atmosphere of gazing at the star of the title, Stargaze . And just when you think it will continue in unison , it suddenly becomes a harmony in the second half. This movement of sound is amazing. Let’s listen to it again. How far have we got? What will we do? Dance sword and look look look look. I think Jesse’s low part is probably the main melody and Kyomoto’s high part, but the unexpected movement is typical of the Stones. And as for the explanation of how to produce a voice, Jesse mainly uses chest resonance and Kyomei. Kyomei is the thickness of the voice, and for men, it is the point that creates a masculine voice atmosphere. And Moto mainly uses the point called Hana’s Bikyuu resonance, which adjusts the tone of the voice, and also, although it has nothing to do with Koesu, if you sing with the image of putting your voice in your nose, it is easier to produce high notes. No, I’m happy that I can hear the two main vocalists’ voices from the beginning. Let’s go next. I certainly feel like this will be a draw. Wow, really, the rhythm was really cool at the end. So, the point now is that Moto continues to sing the high notes, and Matsumura sings the low notes? The atmosphere of the voice has changed somehow. And Matsumura also uses chest resonance, but just as much of it is the resonance in the mouth, Kou. I think he also mixes in the sound of his voice. Adding the sound of his mouth makes the words sound clearer. Let’s listen to it again . The way he builds up the rhythm at the end of this song is really cool. He sings with the rhythm building up , so much so that it makes you think the rhythm is a little off . What’s even more amazing is that Matsumura and Kyomoto both sing at the same time, building up the rhythm to the same extent. Their teamwork is amazing. They’re so cool. Let’s go next. I thought I was just a normal guy, but I didn’t continue. That me is so hot. Oh, it’s a melody rap. I think Tanaka is the low part and Coach is the high part. If I’m wrong, please follow me in the comments. I rely on the Stones members when analyzing their singing voices, so please do so. So, here, Tanaka-san’s manly, cool singing voice and Taka-san’s boyish voice are well intertwined, and although it has a bright atmosphere, I think it’s a wonderful point where there is a crazy atmosphere . Let’s listen to it again. I’m really into it . It’s cool. As I said before, it’s a melody rap, so the atmosphere is great, but this sense of loss is just as cool. Wow, it’s the best. Let’s go next. I’m going to live with this guy. I’m sure my ears will follow. It’s in my heart now. This beast is growing fast. Hmm. Yes. I wonder if Morimoto-san changed the bass here? I feel like the bass part’s voice has become a little softer, so I’m sorry if I’m wrong . So, this phrase is the point where the scene is sung strongly. In music, this is called an accent, but the position of this accent is perfectly aligned. It’s like both of them are pronouncing the scene equally strongly at the same time. No, this part is also amazing. Let’s listen to it again . I’m going to live with this. I’m sure I’m lucky. I’m in the present. This beast is growing up. Yes. I wonder if the K and T were particularly easy to understand? But, it’s a very detailed thing, so I think many people won’t understand it even if they listen to it a second time, but please, when you listen to Stargaze , it might be easier to understand if you listen to it with the current point work and multi-work here and there, so please, everyone, please listen to it. Well, as expected, the Stones are really crafted down to the smallest details. Let’s go next. Yes. Super rock. It’s really rock. It’s been progressing with a very fantastic atmosphere, so I thought it was a song that felt very soft and gentle warmth throughout the first station, but Kyomoto-san sang this intense part solo. And the voice has been processed in sound quality overall. I think it’s easier to understand if you call it sound quality processing. I think it was processed like a radio voice, but in technical terms, this is sound quality processing called distortion. It sounded like a radio voice , but if you use more distortion , it will have a tinge of vibration. In music terms, this is called distortion, but shouting voice is created not by processing the sound quality but by using your own throat. Here, you can hear the voice that sounds like this and that, using the virtual body part , but here, the point is that you deliberately use the vibration of the sound processing to express the intensity . Kyomoto-san’s voice, that voice that is like a falsetto, I really love it . I was happy to hear it so much here. Let’s listen to it again. This voice, like “stand up” and “stand up”. I love this voice. Kyomoto-san used a shouting voice only in one part of the song. He used the vibration with the sound quality processing and the vibration with his own throat, it was so intense and cool. Wow, it’s the best. Let’s go next. The face that says “How about it”. Wow, cool. This is Jesse-san, right? So, Jesse, you know, this point here, he sings mainly with the air resonance in his mouth. I think that’s the case. His voice is very clear. And I guess that he uses his body in a way that makes the back of his throat feel a bit crushed . So, this kind of nuance comes into his voice . It’s a very unique, distinctive voice. Let’s listen to it again. What do you think? He looks pleased. It’s a cool voice that gives off a bit of a crushed nuance. No, it’s really Jesse. He has expression. Wonderful. Let’s go next. Maybe the current struggle shines more than anything . I guess this is the rust. He’s going to be the manager. The manager is a bit of a complicated topic, but there is a note that can be used as the main note in a song. The famous note is Do Re Mi Fa So La Si Do. This is it. The Japanese name is Wavelength, and in English it is called C major scale, but in the song of Wavelength that I mentioned earlier, the main note used in that song is Do Re Mi Fa So La Si Do. It is written as this note. The main warmth changes. This is the ceiling. Right now, it’s one warmth up until the rust, and when it becomes rust, it changes to a different warmth. So, what happens when the warmth changes is that the atmosphere changes completely. In this Stargaze, I think it’s like the glitter of the rust has increased even more, or the sense of excitement has increased a lot, but let’s listen to it again . The present, where we continue to struggle, shines more than the scenery we dreamed of. So now, I deliberately let the part before the heaven flow a little before the rust flow, and the atmosphere is. This is what’s so cool. And the warmth in the bag is so cool. I think it’s Jesse. And what I thought was amazing was the way the voices blended together when all the Stones sang. At first, I thought he was singing alone. That’s how much the voices melted and blended together. It’s amazing. Let’s go next . You can think about it. It’s very refreshing, but it also has a mysterious, or rather, fantastical atmosphere. No, it’s very aggressive. Let’s listen to it again. I think it’s a bit too much, but I can think about it later. Hmm. It’s a great song. Stargaze. When I listen to it carefully, I think the refreshing feel of this song is a bit like Radfimps. I wonder if Noda’s personality is coming out. It’s a really good song. Let’s go next. We’re good. Oh, I see. This is a really cool point of the Stones, where each person sings one after the other. There are points like this in each episode. Stones songs. I think it was a connection from Matsumura to Morimoto. I wonder who’s next. Let’s go. I’m jealous of the history. Maybe from Coach Ei to Tanaka. When I listen to each phrase like this, the personalities of each member are different in a good way, which is wonderful. I feel like the atmosphere is changing like a scene in a drama every time the phrase changes. Now that it’s come to this, I’m really looking forward to the atmosphere of Zessy-san and Moto-san’s singing. Here we go. I’m not sure if I’ll be able to dye it in any color, but yeah . Both of them were kind. They both had a kind atmosphere . No, it’s really like they have their own story in the way that the two members sing this one phrase one by one, and they expressed it in a variety of voices. Because they do this. The Stones’ singing is really, you know, full of charm. It’s not just that they have good voices. They also express it. It’s the best, isn’t it? Let’s go next. I’m not a mean guy who expects things from me. But you guys who believe in me more than anyone else, please put it on me. Yes. I think the part now is Matsumura-san and Coach-san, but despite the octave unison, the way their voices blend together is amazing, isn’t it? No, I’m so moved that my skin is a little sensitive right now, but let’s listen to it again , it’s amazing. Matsumura-san expresses an adult atmosphere with a low note, and Kochi-san expresses a boyish, childish atmosphere in a good way . The two of them have completely different ways of expressing themselves, but by overlapping, they express a wonderful worldview. I feel like there is an atmosphere of something like the past and the future, but what did you guys think? It’s amazing, isn’t it? In the “Let’s go next” part, they say, “I can’t do it,” and for the first time they sing their own way because they think they’ll be beaten by Mama . As expected, at the end of the second song, they go into harmony. I wonder if they were aiming to surprise the Stotans by saying that they won’t go in unison until the end. In the “Let’s listen to it again,” they say, “I can’t do it,” and for the first time they sing their own way because they think they’ll be beaten by Mama. It’s amazing how the singing voice spreads out all at once at the harmonizing part. So, when I listen to songs like this, I have a habit of predicting how they will develop in the future. So at the point where I think the whole A melody will go in unison like this, When I hear a harmony that goes against my expectations in a good way , I get really excited. I’m so happy. Let’s go to the next one. I was chased so much that I could scream with you, and it was born so clearly. Oh, that’s a great Kyomoto rap. His voice has a very sad atmosphere. I think this is the first time I’ve heard Kyomoto’s voice express this. It’s a really moving voice. Let’s listen to it again. It was born so clearly. Yeah. Listening to it now, it’s just my guess, but I think he sang without opening his mouth much and without moving his facial muscles much. He sang with a blank expression. Singing with a blank expression makes his voice sound sad. Facial expressions carry the emotion directly into the voice, so I think he probably sang it that way. Also, there were a lot of techniques that turned my favorite falsetto into something else. Like, I’ll scream with you. I love this. Let’s go to the next one . Yeah. Yeah. Good. While Kyomoto-san’s expression was sad, Morimoto-san’s voice was bright as he sang with a smile, and I felt this atmosphere. Like a ray of hope. Let’s listen to it again. See, yeah . Wonderful. No, the story really just keeps progressing. Especially in the second verse, the pair Matsumura and Kochi built up the story, and Kyomoto- san’s sad expression and Morimoto-san’s gentle and warm expression are not just good singers. The Stones know these songs and deliver them to the Stones as their own feelings. They are truly professionals among professionals. It’s the best. Let’s go next. Yeah. Here it comes. Jesse-san’s powerful singing, and Jesse-san’s point is, the distortion I mentioned earlier is used. And it is used, but here Jesse-san’s chest resonance and mouth resonance, the sky resonance and the sky clarity, right? These two are the main elements that express a powerful voice. Also, I think the scene is pronounced strongly overall. Let’s listen to it again. It changes. Yeah . It’s cool. I thought so. His rhythmic accents are already perfect, so it’s a voice that combines two coolnesses: rhythmic coolness and chorus coolness. Of course it’s cool . But I think you have to practice a lot and acquire a general knowledge of music to be able to express this in song . Rhythm in particular is not a knowledge or skill that can be acquired through voice training alone , so I think Jesse is studying music in a broad sense. Let’s go next. Here we go. I wonder if Tanaka has changed parts now? Tanaka is also processing the distortion , and he is singing with a shout himself. And he is singing the heart resonance, this is the main part. Let’s listen to it again. It’s cool. The points where these two men with manly, rough voices sing together are really cool. So, the first verse had the same point , but the rhythm pattern is half tempo, and the tempo that goes “tan tan” becomes half speed. Because it’s halved, you can hear the singing voice to its fullest. So, isn’t this the best point to hear this cool singing voice to its fullest? Let’s move on to the next one. This is the first night I’ve ever drenched myself in tears. But still, I have no reason to give up. I think you can feel a bit of a “kou tame” atmosphere in the phrase here, but the rhythm pattern of the phrase creates the “kou tame” atmosphere. The rhythm is “kou ta ta”. This is a rhythm of three sounds in one count of three-two-four. When the three-two-three comes in, it feels like a “kou tame” atmosphere and it feels strange . Let’s listen to it again. “moisturized”. And it goes “ta kata kata”. This kind of ” triple pu” rhythm is often used in rap songs, but I wonder if it’s expressing the atmosphere of a melody rap here. Let’s move on to the next one. Sorry for repeating once. I’ll stop here. I think Morimoto and Coach sang after Matsumura-san and Kyomoto-san’s parts were finished. And then, it seems like Tanaka-san and Zesse-san’s voices changed immediately after that. I was surprised and stopped listening for a moment, but it seems like the speed of the song also increases when the part change speeds up. Let’s listen to it again. See, see , see. It feels like the speed increased the moment the singing part changed . I thought that the Stones were creating that kind of speed at the timing of the singing. I’ve thought that it was like that for a while, but I can’t make a guess . I feel like that. Now, let’s listen to Jesse-san and Tanaka-san’s part next . They’re cool. The way they dragged it out at the end was really cool. It’s definitely a “whoa” at a live performance . And they both use shouting voices, so it’s really cool . So, I wonder if the next one is the last chorus. As expected, the more the Stones’ songs go into the second half, the more exciting they get and the cooler they become, but when they end, I feel very sad. I think that Stones’ songs definitely have that kind of charm, I think. Well, let me listen to it. Maybe it continues and shines more than anything. Yes. This song, Rust, is definitely something that people raise their hands at festivals. They say things like, “Yes,” “I wonder,” and “Ah.” I can’t see the hands now, but it’s definitely a song that gets people excited at festivals. Stargaze is next. I wonder if I can see it , but if I do, yes. Well, I just said it was at a festival, but I can see the image of the Stones singing in front of hundreds of thousands of people at a festival in my head, and I’m really moved right now. It’s a strange state where I’m really moved by the image in my mind . I don’t think that’s the image you have, do you? I think Stargaze is definitely a song that would shine at an outdoor live performance. I really want to see this song sung at this place. Let’s go next. Yeah. That’s right. This part is good, isn’t it? Yeah. This part is good, isn’t it? It’s like it’s filled with love, or maybe it’s a little ominous, but the melody is really beautiful and catchy, I love this part. Let’s go next. It’s not like that. Hmm, it’s good. But isn’t the content Morizawa-san? It’s fantastic, there are parts that you can listen to slowly, there are parts that are very rock-like, there are refreshing parts, and there are parts that exude love, and there are points in this song where you can imagine so many different scenes . Wow, it’s a great song. Let’s go next . I don’t feel like I can’t do it … Oh , I see. It ends cleanly with a cutout. At the end, I don’t feel like I can’t do it. I wonder if he’s been singing “I don’t feel like I can’t do it” the whole time. I don’t feel like I can’t do it. I wonder what he means when he continues, but I think that’s probably what he’s aiming for. I think he ‘s using words that can be interpreted as either “I don’t feel like I can’t do it” or “I don’t feel like I can’t do it”, but the song ends cleanly, while the lyrics are a bit vague, and I feel an aesthetic in places like this. I guess it’s like Klot’s preference, but the idea is great. Wow, this was the best again. That’s all for the Stones Stargaze vocal analysis. No, I’m always amazed by the expressiveness of the Stones’ songs. Of course, their individual expressiveness is great, but their expression as a group is also amazing. I think this expression is unique to the Stones, and can only be achieved because of their great teamwork . I was really impressed by how much they thought about the details in their songs. I’d like to continue to follow the Stones with all my might. That’s the end of this video. If you liked the content of this video, please subscribe to the channel and rate it highly. Well then, this was voice trainer Tsuru-san. Yeah.

SixTONESのStargazeがSixTONES公式youtubeチャンネルにて公開中です！今回の動画は SixTONESのStargazeをボイストレーナーのツル３がどこよりも丁寧に細かくをテーマに歌声分析をしていきます！

引用：https://youtu.be/p8JMOuddW-4?si=MtyjpsiaB5hZbvwk
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