【Mrs. GREEN APPLE「夏の影」 歌声分析】大森元貴の神ボイスを徹底分析！

【Mrs. GREEN APPLE「夏の影」 歌声分析】大森元貴の神ボイスを徹底分析！

This is voice trainer Tsuru3. How are you all doing? This video is the official music video for Mrs. Green Apple’s “Summer Shadow.” I’d like to analyze her vocals by watching it. Tsuru’s Vocal Room. This is my fifth Mrs. Green Apple vocal analysis video. I’m completely hooked on Omori’s voice, and since the end of last month , I’ve been thinking about releasing regular vocal analysis videos for Miss Green Apple’s songs. Then, when Mrs. Green Apple’s new song, “Summer Shadow,” was released, I jumped at the chance . I analyzed her vocals for “Summer Shadow,” and it was simply amazing . I’m sure you all know how amazing Omori’s voice is, but there’s one aspect of her voice that I think is just as impressive, or even more so , and she really showed it off this time, which really moved me. I’ve analyzed these aspects more carefully and meticulously than anywhere else, so please stay with me until the end of the video. I also created a playlist of previously released vocal analysis videos for Mrs. Green Up songs. If you watched this video and are interested in other vocal analysis videos, I’ll include the playlist URL in the description, so please check it out. Tsu’s Vocal Room. This channel primarily features reaction videos and vocal analysis videos that convey the appeal of artists I’m currently interested in from a vocal trainer’s perspective . If what I just said piqued your interest, please subscribe and like. So , let’s get started with Mrs. Green Up’s “Natsu no Kage” vocal analysis . “Go-futa” is an incredibly amazing voice, isn’t it? As expected from Omori. So, what kind of voice is this? Well, first of all, it’s not your natural voice, but something closer to falsetto. But it’s not your normal falsetto. By “normal,” I mean that typical falsetto primarily utilizes the space in your nose, the nasal cavity, and the resonance of the air resonance in your mouth. There’s also the aerial resonance in your mouth . The inside of the mouth defines the contours of each word and controls the volume of the voice, but that’s about it. But what about Omori’s falsetto? It’s mainly the space in the lungs that creates the thickness and fullness of the voice, and then the voice is brought up through the nose to refine the tone. Let’s listen to it again . Did you blow it? Yes. Did you blow it? I wonder if it sounds like this. He also uses a technique called super voice, which mixes breath sounds throughout. Moving on to the next one: Natsu wo Rasu. Hmm. That’s good. I think it sounds like this for Natsu wo Rasu. It’s a fairly low range, but he sings this part using the same falsetto as before. What’s amazing about Omori isn’t just the way he produces his voice, but the way he also adds a sense of rhythmic dynamism to his vocal phrases. For example, if you were to sing “Natsu wo Sunoko” normally, you’d probably sing it like this, but in Omori’s case, he sings “Natsu wo Sunoko .” There’s a little picture between the name and the image of summer. It’s a little picture of truck or natto . By adding the “little” part, the second note in “summer” becomes a strong note, an accent. Creating a strong note like that gives the phrase itself a sense of dynamism. Let’s listen to it again. Yes. He’s singing it softly, but with a strong sense of rhythmic dynamism . It’s amazing. Let’s move on to the next part. He’s stretching it out. Wow, wow, wow. His breath range has dropped all at once. He’s singing this part in his natural voice. I think he’s singing this phrase by using more whispered breath sounds in his natural voice than in his falsetto, making the vocal chamber of his falsetto and natural voice similar in atmosphere. Let’s listen to it again. As long as he’s stretching it out, that’s probably true. If you listen to it normally, like “The Shadow Has Stretched,” there’s not much difference between them, so it’s easy to get the illusion that they’re both vocals produced in the same way, but the initial stretch is in falsetto, and then it’s in your natural voice, with a lot of whispering. You use your voice in a very delicate way, don’t you think? Moving on. Talking about the future in “Sanda .” That voice is just so beautiful. So, speaking of the energy level in the song, I think she’s probably singing in a very quiet voice. It gives the impression of a secret conversation. In the “Sweat Panda” video, I’m a little worried if it’ll come across, but I don’t think she sings “sweat.” It’s “sweat panda.” When I said “it’s not like this,” I think it’s about half the energy level. I think it’s about this level, like a sweat panda. Let’s listen to it again. Talking about the future in “Asaban da sha.” It’s good. It makes me grin. Listening to Omori-san’s voice is so captivating. Moving on. Slowly. Oh, that’s good. Did you hear that? He really builds up the rhythm in the second half of the song, singing “slowly” with a “little” feeling. That rhythm control is incredibly cool, isn’t it? Let’s listen to it again. Like, “slowly, look, look, look, slowly.” No, but, I think he’s mainly building up the rhythm by singing the sensory part, so to sing like Omori-san, I think he’d need a lot of practice to get the feel for it. It’s difficult. The key here is… Let’s go next. Slowly. Yeah. Yeah. Yeah. It’s invisible. The first “look” in “invisible, now” isn’t his natural voice, the “now” is falsetto. No, it’s a really high-quality phrase, going back and forth between his natural voice and falsetto. Let’s listen to it again. It’s invisible and fast . The hoarseness of his voice at the end of the “de” part is incredibly sad and wonderful. Let’s go next. Let’s go. Yeah. I think he sings it all in his natural voice. And then, in the middle, it was like, ” forward, let’s go .” As you move forward, there’s a period called “edge voice,” a temporary body part, and the song starts with this rattling sound. The edge voice makes the song suddenly more sad, doesn’t it? Let’s listen to it again. Yes. And the final vibrato is a small, wavy vibrato, a type of vibrato where you make small movements. There’s a part called the cornea at the waterfall, and this vibrato involves small, wavy movements of the body, like “kukukukukuku.” I think a lot of band vocalists use small, wavy vibrato. It ‘s a habit, I guess. But I don’t think Omori’s vibrato is limited to a tinkling vibrato. I imagine he uses a variety of vibratos at points that fit the atmosphere . This time, it’s a chirimen vibrato. Moving on. Yes. The pitch drops here, but by choosing a voice that primarily uses his natural voice, it ‘s incredibly powerful. The voice here mainly resonates with the chest, as I explained earlier when talking about falsetto . I want to blame it on the thickness of summer. Something like that. When I do it, I focus on the chest and add a little bit of nasal vocals. The nose is the key to controlling the tone of the voice, so I think this is a way of singing that brings the atmosphere of the voice together with the nose. Let’s listen to it again. Yes, with falsetto . What a cool voice. It really has a wide range. Omori-san creates and sings an incredibly cool low note, and her high notes are , I think, like a grand noun, so of course they’re cool, and she sings every note with style. It’s amazing. Let’s move on to the next one . Yes. So, you just went up a little. As your voice gets higher, the quality gets thinner, and as your range goes down, the voice gets thicker. This is the general flow of the voice, but Omori-san’s voice doesn’t get thinner even as this point gets higher . She uses a technique where she sings higher notes while maintaining the same volume in the lowest notes . What kind of image do you have when singing this? You bring the image of the origin of the voice to your chest. Then, as the range of the note rises, the image rises higher, so the voice becomes thinner. In other words, you are doing the opposite of that, Omori-san. Even as the note rises, she sings while maintaining the image that her voice is coming from her chest. Let’s listen again . When I try this, if I lean forward like this, my voice doesn’t sound thin even as the note rises . But if I don’t keep the origin of my voice in my chest, didn’t it feel like the high notes sounded a little thin? But if I keep it in my chest, I think the high notes clearly change. By keeping the origin of my voice firmly in a fixed position, my singing becomes very stable and creates an atmosphere that is relaxing for the listener. Omori-san uses this technique. It’s amazing. Let’s move on to the next one. Hiding. There was quite a bit of breathing movement here, but she’s singing while maintaining the origin of her voice that I mentioned earlier. Let’s listen again. Hiding. What a great voice. So, one benefit of singing while imagining your voice originating from your chest is that you maintain your chores , and another benefit is that your voice sounds more powerful. I think I mentioned this the first time I explained the technique , but it’s also a key to controlling the thickness of your voice. By using your chest firmly when singing, your voice becomes more powerful . “Next up.” Oh, yeah. I think I changed the way I projected my voice a little here. The image of my chest hasn’t changed, but I think I’ve changed the source of the voice to my mouth. The voice produced in my chest was nasal up until now, but I think I’ve lowered the exit a little. You can feel the burning sensation in the voice in “Blame it on the Shadow of the Summer,” and if you sing with your mouth as the exit, it’s easier to get that resonance. If you sing with your nose, it sounds like a summer breeze, and your voice sounds a little softer. But if you sing with your mouth, it sounds like a summer breeze, and your voice sounds a little harsher. Let’s check it again. With the shadow of summer , yeah. That’s right. It feels like the exit is my mouth. I think I might have gotten the lyrics wrong earlier. Sorry. Next up. “I’ll keep you waiting.” “Blame it on the Shadow of the Summer.” It really is the mouth. And he sings this “se” with a jerky sound, like “se-.” This part is really cool. Let’s listen to it again. It feels like he’s lifting the note up a little. By adding this “shi,” a sense of speed is created at certain points. This atmosphere is really cool, isn’t it? Let’s move on to the next part. Yeah. Aren’t the other notes in “melted” just now really cool? The volume gradually gets louder with the word “melted.” This is called a crescinde, and I think Omori’s singing often uses expressions like building up excitement with volume and then calming it down , but let’s listen again to how he expresses emotion using volume, which is really piercing . See, it’s melted. And with “ice,” it seems like the peak of his energy is reached. So, from here, does it get quieter? Let’s listen. Ice and time. Yeah. Yeah. Yeah. I thought so. I think the way she sings it expresses a single big peak, starting quietly, gradually getting louder, and then getting quieter again, all in the right volume. It’s amazing. Moving on. Oh , sorry. I’ll stop for a moment. The way the audio quality is processed after recording the vocals has changed here. You can probably hear it very clearly with earphones , but Omori’s voice in the second verse’s verse feels incredibly close. How did the audio quality processing change? The recorded vocals are processed with a lingering component called reverb and a fading component called delay before being turned into a sound source. And, especially the lingering component called reverb I mentioned earlier, the more you apply this, the farther away the voice feels from the listener . But what I just heard sounded incredibly close, so that means the amount of reverb I mentioned earlier is expressing the distance and depth of the voice. Honestly, the moment I heard it, I got goosebumps. Wow, I never thought they’d use that kind of expression. It’s profound. Let’s listen to Mrs. Green Up Lee’s song again. I hope it’s conveyed even beyond this video. If you can’t hear it, please try listening to “Natsu no Kage” with headphones. I think the sense of distance in Omori’s singing voice is completely different between the first and second verses. Moving on. Wow, good. Yeah. Naked. Her whispered voice here is incredibly gentle. Oh, Omori’s gentle voice is incredibly gentle, and her powerful voice is incredibly strong. The dynamics of this sound are irresistible. Dynamics means the difference in volume, but it also means the vocal range of emotion is wide. Let’s listen again. It’s loud. Look, look, look, look. Naked is amazing. Moving on. Moving the clouds. The way she pronounced “kumo” (clouds) just now really brought the scene forward. I think she emphasized the phrase “moving the clouds” by adding the accent on “death” here. An accent means a strong sound. Let’s listen to it again . Moving the clouds. See? Hmm. It’s good. He really puts a lot of effort into the song, right down to the smallest details. Let’s move on. How far can I keep up with that smile? That’s good. It goes up here. And can you keep up with the high notes? It feels like he returns to his natural voice at the end. Let’s listen to it again. How far can I keep up with that smile? Like, come on, come on, can you keep up? That’s what it sounds like when you exaggerate it. Seriously, I think you’ll become a great singer just by copying Omori’s singing . Omori’s singing is very difficult, so it may take some time to get to a level of quality that satisfies you, but I think you can learn all the techniques of singing from him. That’s how amazing his voice is. Let’s move on. Slowly. Oh, good, good. Slowly here. And just now there was that edge voice in the second yukkuri. He changed the expression of his voice from the first yukkuri to the second yukkuri. Let’s listen to it again. It goes slowly, slowly, slowly, slowly. Wow, it’s amazing. Moving on. “You can’t see. ” Yes. Here, he changes the nuance of his voice again. Like “I can’t see,” I think it’s a falsetto, like narrowing the space in the back of his throat. I ‘m pretty sure it’s a type of voice called “sob” in classical terms, but it’s a very distinctive voice. Let’s listen to it again. “You can’t see. ” Yes. Yes. Yes. Good voice. Good voice. I wonder if he used this voice in heaven too. I really love Omori’s voice. Moving on. Adults. ” Here too, he sings in a way that gradually builds up the quality of his voice, like gradually becoming more powerful . Like becoming an adult. He starts off by saying “gentle, don’t be gentle with adults,” but then he uses a stronger natural voice to express his strength. Then, in the part that follows, I could sense from his voice that he was about to burst into tears. I guess he was trying to express the fear of growing up. Moving on. Yes . And now we have the manager. The trees changed dramatically at the end of “Heaven,” but he really does have a wealth of knowledge of music theory. It’s amazing. Let’s listen to the timing of the rotation again. The rotation occurs where he said “here and here.” The key changes just before the chorus, and then it’s like we’re entering the chorus. The chorus in the second verse feels like a powerful natural voice. Moving on. Yeah. It makes me more and more excited to see how it develops. Moving on. His natural voice is incredibly strong, isn’t it? And the way he produces his voice here is with his chest and mouth, as I explained earlier. I think these two are the main focus of his singing. Let’s listen to it again. The fact that he was able to use it in a dream is hidden. Hmm. It’s amazing. And in addition to this powerful singing, he also pronounces the cause of death very strongly. I think this is a point where you can feel the strength of both the room and the words. Moving on. “Senise.” Yeah. And here, he changes the way he projects his voice again. He’s gone from a voice focused on his chest and mouth earlier to a voice focused on his chest and nose, which I think gives off a gentler vibe. Let’s listen to it again. Yeah. I think it was something like this in “Natsu no Kage no Nosete” earlier. The difference between “Senise” and “Senise” is really subtle, but it has a huge impact on the atmosphere of the song. I wonder if he even thinks about this much when creating his songs? Omori- san is amazing. Let’s move on to the next one. “Senise.” Wow, as expected. It’s amazing. And with a nasal voice, he’s made it even stronger for now. What kind of voice will come next? Let’s go. ” It’s not melting yet.” ” The ice in the glass is not melting yet.” These are words that are easy to imagine. They’re words that everyone would think of in the summer, aren’t they? But Omori-san’s sense in choosing these words for lyrics is incredible. I put ice in it, but it melted away before I knew it, and I wondered why it melted so quickly. I have that memory. I also thought the words evoked a nostalgic atmosphere . The song itself is very powerful, so I felt a certain emotion, like, “Why is it so popular because of the words and the voice?” Moving on to the next part. It’s so sad. The melody here is very sad. The dry part isn’t included in the video, but watching the video, I saw the scene where Mrs. Green Apple’s boss is eating somen noodles, and it reminded me of my own summer vacation memories. I spent all summer vacation with my hometown friends , eating meals together, and the melody after I was immersed in those nostalgic memories was so beautiful that I got a little emotional, sorry . Let’s listen to it again. What about memories of that summer we spent? Here’s a word that really makes you want to know more. The part about being alive and alive is said to be a defining point in the song. There’s a certain point where the entire instrument plays the same rhythm, a certain bang bang bang bang . I think that’s where the term “decisive” came from, and it still lives on in the background of Mabu. So that means I still remember it . I have those memories too, so every word really hits home. If it weren’t for a vocal analysis, I probably would have been so moved I would have cried. That’s how amazing a point it is to me. Moving on. I fell in love. Yeah. I was in love that summer. Summer is all about love, right? I guess it’s a scene of friendship with friends, romance, those kinds of things. I mean, the scenery in this Mrs. Green Apple’s Shadow of Summer is very similar to my hometown. I grew up in a similar environment as a child, with mountains, rice fields, and so much nature . So, there are a lot of similarities with my own childhood experiences, and that’s why it’s so moving . Wow, it’s a fantastic piece. Let’s move on. The wind has come . Yes, it has. Omori’s high note is so cool, isn’t it? This part is what they call mixed voice. It’s somewhere between chest and falsetto , and it’s produced with a focus on chest resonance. This creates a really powerful mixed voice. Let’s listen to it again. Where is that wind ? Yes. Like, ah, somewhere . I just used mixed voice for this high part, but by using chest resonance properly, the mixed voice doesn’t sound thin, and it sounds like you’re singing a high-pitched voice with your chest. This is how it feels. I think Omori sings a high voice. Let’s move on. If it’s in tune with the “re” in this “refiner” part, it sounds like it’s momentarily flipped into falsetto. I think it expresses an emotion, like being overshadowed by old memories that will never come back. Let’s listen to it again. If it’s in tune with the “re.” It’s really good. Let’s move on. Wow, it gradually becomes gentler. Wow, this flow is just amazing. The ending is a perfect one, with Miss Per Voice. Moving on. Oh, I see. Omori’s fakery is subtly present. It gives off a nostalgic vibe . I think the subtle fakery is the key, I think. Moving on. Look, look, look. Yeah. Hmm, does it feel like it’s ending like this ? There’s only about 30 seconds left. Is there one more scene, or will it just end like this? The river-roofed roof in this music video is also a river-roofed roof, my parents’ house. It really feels like my hometown. I ‘m so happy. Moving on. Oh, it’s nice. This fan and the futon are really nice, aren’t they? My parents’ house, this isn’t my parents’ house , is it? Of course not. Moving on. Oh, the clouds are nice. Oh, I see. So Omori is singing Hanauta while taking a walk like this . So that fake song from before was also a flower song. That’s it. That means we ‘re heading straight for the ending . Here we go. Oh, it ends here. The song’s over, but there’s still about 10 seconds left , so I’ll take this opportunity to watch until the end. Here we go. Oh, it’s getting dark. Ah, Mrs. Green Apple’s 10th year. Wow, it was just amazing. That’s it. This concludes my analysis of Mrs. Green Apple’s “Summer Shadow” vocals . No, I was immersed. I was totally immersed. I think it’s the best summer song. “Summer Shadow” is a summer song that gets you excited and makes you feel happy, but I also think summer songs with an atmosphere like this that immerses you in memories are the best. It really brought back memories and I was so moved, I was so moved that if I let my guard down for a moment, I might actually cry. I want to thank everyone in Mrs. Green Apple for this moving experience . And Omori’s singing voice is just amazing, isn’t it? I think everyone already knows that she has an amazing voice, but I think her ability to express emotions using rhythm and volume dynamics is what makes her so special . I’d like to know more about Omori’s voice, so if you have any recommendations for Mrs. Green Up songs where you think Omori’s voice is worth listening to , please let me know in the comments. I ‘d love to hear more about Omori’s singing voice, so please do. That’s the end of this video. If you enjoyed the video, please subscribe and rate it highly. Well, that was voice trainer Tsuru.

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引用：https://youtu.be/-p3O35mfSB4?si=lxI-qdWWwMRrE65n
Mrs. GREEN APPLE「夏の影」Official Music Video

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